Curators of Two Turntables and a Microphone see the show as an extension of their commitments to the articulation of artistic production, intellectual, and social movements. Please look for our upcoming curator statement that paces through how the show came to fruition and our hopes for the impact of the show on spectators. For now, please find below articles by curators Kembrew McLeod and Deborah Whaley on the topic of hip-hop:
1. McLeod, "Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation"
2. Whaley, “Black Expressive Art, Resistant Cultural Politics, and the (Re)Performance of Patriotism”
3. Whaley, "Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-hop and Black Visual Culture"
Friday, January 30, 2009
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